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Secret Japan. Masterpieces of 19th-century photography
05 MARCH 2016 – 05 JUNE 2016
PALAZZO DEL GOVERNATORE – PARMA

The exhibition itinerary, which revolves around the photographs of the Yokohama school and the globetrotters’ experience of travelling, follows a thematic itinerary, alternated by three small areas presenting eight precious album-souvenirs with Japanese varnish covers, 20 rare greetings cards, 12 polychrome xylographic prints by the best masters of ukiyo-e such as Hokusai, Hiroshige and Utamaro. The 140 original photographs are authentic masterpieces made between 1860 and 1910. During this period Japan witnessed an unusual combination of Western photographic technique and the mastery of local painters, heirs to an ancient and refined tradition, capable of perfectly applying colour even on tiny surfaces. The photographs are also related to some examples of Japanese decorative art, including an 18th century samurai armour, masks from classical nō theatre and some splendid kimonos. Ideally accompanying the visitor is the figure of Henry II of Bourbon, brother of the last ruler of the Duchy of Parma, protagonist with his wife, between 1887 and 1889, of a long journey to Japan, from which he returned with an enormous collection of Japanese works of art.

The exhibition delves into a moment in Japanese photography that passed under the name of the Yokohama School and its major interpreters – Felice Beato (1832-1907), Raimund von Stillfried-Ratenicz (1837-1911), Adolfo Farsari (1841-1898), Ueno Hikoma (1838-1904), Kusakabe Kimbei (1841-1934), Tamamura Kôzaburô (1856-1923) and Ogawa Kazumasa (1860-1929), whose characteristic feature lay in combining photography, the most avant-garde artistic form of the time, with the tradition of Japanese graphic art, making photographic prints on albumen paper delicately coloured individually by hand by refined craftsmen.

The exhibition, curated by Francesco Paolo Campione, director of the Museo delle Culture in Lugano, and Marco Fagioli, with the patronage of the Municipality of Parma, is produced by GAmm Giunti, in collaboration with MUSEC and the Ada Ceschin and Rosanna Pilone Foundation of Zurich, which wanted to deposit its heritage of Japanese artworks at the Museo delle Culture in Lugano for an indefinite period of time, so that it could be made available to the world of study and art.